The WSJ ran yet another column on women reentering the workforce. Written by Sue Shellenbarger in the 2.17 issue, the column talks about a variety of women who stayed home 5, 10, even 15 years ~ and then sought to reenter the workforce. Most of the women interviewed were going back to preexisting careers. And most found the transition unnerving to say the least.
At the risk of sounding like a broken record here, a little planning goes a long way. That's not to say that we can ever be certain of our future steps. Who knows if you will return to work at the moment you make the decision to stay home with children? And, if you do, who knows when, and in what capacity? What serendipitous events might intervene to take you in unthought-of directions?
But even with unpredictability and the possibility of untapped adventures, the possibility of returning to some form of work lurks in the minds of the vast majority of college-educated women who have taken a hiatus. Government data show about 2.3 million college-educated women with children under 18 are out of the workforce, according to the WSJ report, and private studies suggest that roughly 82 percent of them are interested in returning to the workforce at some point.
Here are some of the obstacles the on-rampers are facing ~ and ways to alleviate those tensions:
Adapting to new technology ~ use your time at home to take local classes, experiment with online tutorials, remember that your kids are probably the best teachers around for navigating new software
Finding your new office "look" ~ tell me you can't use some of your girl time for educating yourself on current trends for office wear
Understanding office culture and new best practices ~ stay current in your industry; read the trade mags; invest in one seminar a year; stay licensed; keep in touch with colleagues who have remained in the workforce
Knowing what you are worth is probably a tough one. The Journal report says that skilled women who drop out of the workforce for three or more years earn an average of 37 percent less after returning compared with those who did not take career breaks. Some women choose to take less pay for more flexibility; some simply need to add to their budgets and settle for lesser-paying jobs.
Navigating new schedules at home ~ with some planning and preparation, you can ease anxieties on the part of your kids and spouse. What household duties can you now outsource, given that you are pulling in more income? Where can you get help? How can you stay connected with your kids in creative ways so as to alleviate their feelings of loss now that you are home less?
There is no panacea for life transitions. But the more time we spend in recognizing that these are real stages, with predictable paths, that women struggle to navigate (no, we do not breeze through the transitions as our former superwomen would have everyone believe) ~ the more attention and resources are committed to getting systems in place that can make these processes far smoother in the end.
May 31 , 2009
Working Mother Documentaries:
In & Out of FOCUS: A Documentary For Anyone Who’s Ever Tried to Have it All, directed by Jacqueline Liebman
Who Does She Think She Is? directed by Pamela Tanner Boll (2008)
IN & Out of FOCUS tackles head-on the question of whether a woman can have it all, both career and family, in the film industry. The idiosyncratic arena of the L.A. film industry may be particularly unforgiving of motherhood, but it is not alone as an industry with sub-par support for women juggling families and careers. Project-driven and episodic, with an ebb and flow to work and projects that yields alternating periods of intense 14-hour shoot and production days (sometimes on location far away from home), and countervailing periods of hiatus, the film industry’s extreme working conditions trigger the same questions that all women attempting to balance career and family confront on some level: What will become of my career if or when I have my child? Can I be successful in my career and as a mother? Will my partner be truly egalitarian in our parental partnering? And, who will take care of our child when I work?
Filmed over the course of five years, from pregnancy test to contemplation of a second child, the film grapples hard, and gets gritty. It sometimes makes you squirm with discomfort, and sometimes makes you nod with affirmation of the truths it reveals. In & Out of FOCUS begins with Liebman’s pregnancy, and lingers there, somewhat uncomfortably, in her anxiety over whether the pending child will be an impediment to her sexuality, her burgeoning career and her future success. This segment reminds the jaded among us of the life-altering and potentially identity-erasing experience that pregnancy can be for a professional woman facing an unplanned pregnancy. Though, the film is initially naturally self-involved, Liebman's anxiety and naïveté about motherhood mirror the very real experience of women who work in anyfield which is not openly supportive of motherhood and who unexpectedly find themselves pregnant for the first time with no clear career roadmap for the journey ahead.
Liebman chronicles the swell of her motherhood anxiety and resentment. We hear her underlying envy that her partner can enjoy fatherhood without a parallel interruption to his career. Liebman’s grief over her growing belly’s eclipse of her professional identity as a filmmaker is best captured in her reaction to her husband’s Emmy-winning acceptance speech, when he thanks her for “keeping the wheels on the cart.” She rails against the congratulations she receives on her husband’s behalf from Steven Spielberg, because Spielberg knows nothing of her as a filmmaker in her own right and, she fears, congratulates her, as a mere appendage, as wife and mother, “for keeping the wheels on” her husband’s cart.
Liebman documents the decidedly frosty climate of the film industry toward motherhood through interviews with accomplished female writers, directors, and producers. The interviewed women, with the exception of one, all opted to have children and continue careers. When asked, these women define “housewife” pejoratively, and with some measure of derision. They use descriptors like “vapid, with nothing better to do,” and describe the choice to stay at home as “just doing that,” and “lazy, spending someone else’s money.” Only one professional acknowledges that “the reality is that it [full-time at-home motherhood] is an enormously hard job.” The professionals' comments vividly illustrate historical divide between careerists and at-home mothers. In this long-standing tension, each camp is so heavily invested in its selected path that it cannot lend support to the alternate choice.
While they may disassociate themselves from those who make a choice in favor of full time motherhood, the featured film professionals don’t sugar coat their industry experiences as smooth roads to professional success. Producer Gail Katz describes her life straddling the dual worlds of motherhood and filmmaking as one of constant and unsatisfactory compromise, “The greatest problem I have in not so much the guilt, but it’s feeling like I’m not doing any of this well enough….that I’m not as good a mother as I can be if I were with them all the time…or someone that can do this job 24 hours a day which is what it really requires to do it as well as can be….so I feel a little bit handicapped in all areas of my life.” It is, ultimately, the sense of professional identity, fulfillment and an innate drive to both express themselves creatively and achieve, that draws these professionals back and onward, despite the pull and the guilt they feel about not devoting full-time to child-rearing and despite industry obstacles and hurdles for working mothers.
In & Out of FOCUS does not package and deliver neat solutions to the struggle of the juggle in the film industry. It does pay tribute to the dark side of motherhood for women with careers in a field that fails to fully accommodate or wholly celebrate motherhood. It gives voice and image to the reality that men with film careers enjoy fatherhood without the same level of career sacrifice experienced by their female child-bearing partners. It is, by and large, the mothers, not the fathers who deviate from or alter their original career paths to accommodate children. Despite the darkness, the film’s characters ultimately endorse motherhood, and recognize that the human and personal connection of the parent-child bond is sufficiently meaningful, powerful, and weighty to make the messy, frustrating and imperfect act of balancing work and career worthwhile.
Search your local listings or your satellite provider for a showing of In & Out of FOCUS which originally aired on Lifetime.
In the spirit of summer at the movies, check out another film on this theme, Who Does She Think She Is? (2009), directed by Pamela Tanner Boll. Who Does She Think She Is? documents the work-family struggle for several working, female fine artists and is currently in limited release. Read a review and watch for it in your area.
May Roadmaps Discuss: Motherlove
May 18, 2009
Readings for May on the theme of Motherlove
With summer around the corner, perhaps this is a good moment to offer more than one recommended book. To that end, the following are a handful of books that are at once wise and insightful, provocative and unnerving, poignant and magical - to add to your hammock-reading list:
NonFiction:
Maternal Desire: On Children, Love and the Inner Life, Daphne de Marneffe (2005): “De Marneffe brings her experiences and perspectives as a psychologist, feminist, and mother to this absorbing look at the enormous personal pleasure that women derive from mothering. Citing the political, cultural, and social factors that have devalued motherhood, de Marneffe notes the reluctance to explore maternal desire; as common wisdom would have it, motherhood and desire don't belong in the same phrase. There is fear that discussing maternal desire will feed old notions about women's nature and justify restrictions of their rights. The price of that reluctance is a lost opportunity to understand women more deeply”, writes Booklist. Amidst all of the discussion whether women should, or can, manage work and family, de Marneffe poses the question, “What if a woman raises her children simply because she finds it fulfilling?”
Momma Zen: Walking the Crooked Path of Motherhood, Karen Miller (2007): The central premise of Miller’s writing is the realization that "your life is not yours at all" but "an unbroken line of love" to others in one's family and in one's life. It is this perspective and awareness that, Miller tells us, will carry us as mothers through all of the changes and compromises, doubts and fatigue, of parenting. The current avalanche of parenting self-help books can be overwhelming; yet, "Momma Zen" sets itself apart by connecting with the heart of motherhood - the enduring, essential challenges, lessons and blessings that we encounter in our relationships with our children.
Fiction:
The Mermaid Chair, Sue Monk Kidd (2005): Set on Egret Island, a fictional barrier island off the coast of South Carolina, the novel focuses on 42-year-old Jessie, a Southern housewife who embarks on a journey of self-discovery after learning that her mother, who's still distraught over her husband's death 33 years earlier, has cut off her own finger.” (Publishers Weekly) Caring for her distraught mother, Jessie rediscovers love in its many forms. And in undertaking to parent her aging mother, she comes to understand the healing power of a mother’s presence.
We Need to Talk About Kevin: A Novel, Lionel Shriver (2006): How is a mother to come to terms with a teenaged child who kills fellow students and teachers in a Columbine-like spree? Does mother-love ever cease to endure? “In crisply crafted sentences that cut to the bone of her feelings about motherhood, career, family, and what it is about American culture that produces child killers, Shriver yanks the reader back and forth between blame and empathy, retribution and forgiveness. Never letting up on the tension, Shriver ensures that, like [the mother], the reader grapples with unhealed wounds” (Booklist).
Click here to purchase these books on our Products page through your local independent bookstore or through Amazon.com
May 11, 2009
Parenting from the Inside Out, Daniel J. Seigel, M.D. and Mary Hartzell, M.Ed. (2003)
The essence of motherlove is abiding and unconditional love, formed from the attachment that is seeded when one tiny, wholly dependent creature is born and must rely entirely upon another to provide food and safety. It is a love memorialized by cards, and poems, elevated in religions and songs and stories, and claiming its own holiday. Motherlove is quickly romanticized, and is often imperfect. Motherlove alone does not a competent parent make.
We all come to the parenting party with baggage in tow; it is the way we each unpack those bags that determines our effectiveness at mothering and, ultimately, the impact of our motherlove. We come to motherhood as children of our own mothers—as the products of the talents and flaws that our mothers exercised in raising us. While it is generally understood that the complex models of motherhood and motherlove we experienced as children inevitably influence the patterns we employ mothering our children, we sometimes lack understanding about how to unpack our childhood baggage and lay to rest the unresolved issues that undermine our own effectiveness as mothers. We may find ourselves unable to identify the source of our baby’s distress; we may erupt with frustration, shame or rage when our child misbehaves in public; we may crave solitude at the precise moment our child needs attention and inadvertently reject them; or we may dismiss a child’s joy or excitement in a misguided effort to enforce a family rule. Sometimes, we struggle to mother well.
In Parenting from the Inside Out, authors Siegel, a psychiatrist and specialist in neurobiology and attachment, and Hartzell, a child development and parent educator, provide a toolbox of scientific, developmental and therapeutic exercises and devices that allow us to unpack those bags once and for all. The expertise they share allows us to identify the ways in which we attached to our own parents, the seemingly minor yet formative episodes of trauma or loss that may have impaired that essential attachment, and the ways in which we understand and develop narratives about our own childhood as a method of achieving the insight, and mindsight, that permits us to listen to, and communicate effectively with, our own children. Siegel describes four levels of attachment—Secure, Insecure/Avoidant, Insecure/Ambivalent, and Insecure Disorganized. These types of parent-child attachment develop in early childhood along a spectrum. The factors that place us at a particular point along that spectrum are: the degree to which a parent is attuned to a child’s needs; the parent’s consistency of responsiveness to those needs; and the child’s ability to balance and synthesize the parent’s responsiveness.
Fear not, the parenting train has not already left the station for good with all of your attachment baggage on board. What emerges from this book is the promise that regardless of where you as a child landed on the attachment spectrum, you can improve your parenting, and experience the joys and power or motherlove, at least more often, by understanding the ways in which your own childhood attachment experiences formed you and influence your responses to your child. You can develop a narrative that connects the facts of your childhood experience with the emotions they generated. By developing the narrative, by writing and telling the story of your childhood, you can become the director of your child’s experience. Unpack your bags, and stay awhile.
Click here to purchase Parenting from the Inside Out.
April RoadMaps Discuss: Community
April 27, 2009
The Shelter of Each Other, by Mary Pipher (1996)
“Families need communities the way my corn plant needs soil.Since the beginning of time, humans have shared their lives with those around them.Families shared their fish from the sea, gathered reeds for thatched roofs and looked at the stars.We have watched out for each other.Now for the first time in human history many of us feel alone and unconnected to groups.The world has changed but we have not.”
lthough Mary Pipher published her renowned work on American families over a decade ago, it remains as relevant today as it was at that time.The Shelter of Each Other draws upon stories of families Pipher had counseled in her decades’-long practice as a family therapist.The thesis Pipher posits is that the dramatic changes in the culture in this country have affected the mental health of families – and not always for the better.Rather than attempt to capture the diversity or complexity of family life, Pipher has narrowed her inquiry to considering how the culture affects the lives of individual families; what values the culture teaches to families and to children; and the behaviors that the culture may influence.How does the culture define what is good and important?How can we become more conscious of how we are shaped by the culture in which we live?These questions are, of course, vast in and of themselves.Yet, Pipher continues the renowned scholarship – initially identified in Reviving Ophelia, her seminal work on teenage girls – that is at once anecdotal and readable, while also empirical and particular in its concrete examples.
Pipher divides her exploration into three parts, the first of which is entitled “The Crisis.”Here, Pipher seeks to encapsulate the extraordinary changes on the cultural landscape that occurred between the time of her grandparents’ lives and those of her children.
“Our culture is at war with families.Families in America have been invaded by technology, mocked or “kitschified” by the media, isolated by demographic changes, pounded by economic forces and hurt by corporate values.They have been frightened by crime in their neighborhoods.Parents worry about the children’s physical safety and children are afraid of strangers….The parents are trying harder than parents twenty years ago tried, and yet their children aren’t doing as well.In the 1990s, it’s harder to be a “good enough” parent.Parents seem desperate and lost and their children are bitter and out of control.”
Needless to say, much of Pipher’s discussion centers on the impact of technology and its constant presence in our lives. Cultures construct reality, Pipher reminds us, and today’s culture is shaped by strenuous media influences.“The electronic village is our hometown,” says Pipher, and for the first time ever in current history, children have access to the same information as adults.
Lest the reader despair at the litany of evils undermining our familial health, be assured that Pipher does not leave us without the benefits of her wisdom.In the third and final section of the book, entitled “Solutions: What Will Survive of Us is Love,” she sets out to diagram hard and soft strategies for addressing the fallout from societal ills.If you are a parent, aunt, sister, concerned citizen:read this book.It will open your eyes while applying balm to your heart.
Click here to purchase The Shelter of Each Other from your local independent bookstore or through amazon.com.
April 20, 2009
Having It All After World War II
The Guernsey Literary and Potato Peel Pie Society (2008)
by Mary Ann Shaffer and Annie Barrows
Though set during the immediate aftermath of World War II in Europe, on a relatively unknown Channel Island of Guernsey, The Guernsey Literary and Potato Peel Pie Society, resonates with the theme of community in unexpected places for the modern-day, “having it all” working woman.. The authors devise a series of letters to tell the story of the German occupation of Guernsey during World War II, and create a protagonist with whom modern women will identify. Juliet Ashton, is a London author of some repute who happens upon the unusually named literary society when she receives an inquiry from one of the society’s members, Dawsey Adams. The two begin a correspondence that expands to include other residents of Guernsey, whose wartime occupation experiences become the seeds for Juliet’s next book.
Despite the generational remove, Juliet is a modern woman facing familiar dilemmas. She struggles to find a partner who sees her as a whole person. She is embroiled in an unsatisfactory romance with a rich, debonair publisher, whom one of her closest friends describe as “all charm and oil…who wants Juliet because she’s pretty and “intellectual” at the same time…If she marries him, she’ll spend the rest of her life being shown to people at theaters and clubs and weekends and she’ll never write another book.” Even Juliet acknowledges that she would “become one of those abject, quaking women who look at their husbands when someone asks them a question. I’ve always despised that type, but I see how it happens now.” Juliet slowly recognizes her beau’s latent disrespect both for her intellectual curiosity about the story she is discovering on Guernsey, and for the role of her work as a writer in her life. Echoing Jane Austen’s Pride and Prejudice, Juliet gradually discovers that her heart lies elsewhere, on Guernsey. Guernsey Literary Society also depicts a refreshingly alternative view of family and community, one which at its core consists of a tight-knit community of neighbors caring for one another and for a child, and motherhood by way of unplanned adoption.
Perhaps the themes of successful mapping of work and family is ever on our radar at The New Having It All, or perhaps modern authors like Guernsey Literary Society’s Shaffer and Barrows are exposed to a sufficient number of women who embody the successful intersection of work and family that they have become adept at creating complex, multi-dimensional characters whose dilemmas and struggles mirror those of modern women--women who harbor passions for community and family and careers, women who not only endeavor to, but also succeed at, having it all.
Click here to purchase The Guernsey Literary and Potato Peel Pie Society.
April 13, 2009
Happy Spring.
We are enjoying Spring Break with our families and hope that you are too. Roadmaps will return next week. The New Having it All Wishes you Happy Easter, Peaceful Passover and time to enoy spring break.
April 6, 2009
The 19th Wife, by David Ebershoff (2008)
What in the world does polygamous community in the early Mormon Church (and the persistent remnants of the practice in modern renegade cults which refuse to banish the practice) have to do with having it all, today? A great deal and very little. At first glance, we are stymied by these communities. Recent and recurring media fascination with polygamist cults in the West reveals that the allegedly private exercise of religion often includes the underage ‘marriage’ of girls as young as 14 to men in their forties and fifties, and the teen pregnancies that inevitably follow. We cannot understand how the women in these communities can defend so staunchly a way of life that sentences their own teen daughters to such marriages. We see a concept of community gone awry—where admirable tenets of sisterhood and faith are twisted into a practice where women are often emotionally abused and where children hunger for scraps of a father’s love and attention together with dozens of siblings, resulting in mass neglect. We can only assume that the women and girls in this community know no alternatives, and have been brainwashed into believing that their eternal salvation and, perhaps more significantly to a child, that their reunion in heaven with everyone whom they hold dear, depends upon their compliance.
In The 19th Wife, author David Ebershoff constructs a complex three-tier novel. In the earliest tier, we are introduced to the early pioneers of the Mormon faith beginning with the contemporary followers of the first prophet, Joseph Smith and his purported revelation from God of the rectitude of plural or “celestial” marriage. The practice of polygamy is sold to skeptical early followers of the faith as a divine practice necessary to grow the faith and one which guarantees the consenting first wives eternal salvation. The intermediate tier of Ebershoff’s story lies in the subsequent generation of Mormons, in the person of Anna Eliza Webb Young, the titular 19th wife, who is a product of a plural marriage, a wife of Prophet Brigham Young, and later, a crusader to end plural marriage following her scandalous decision to divorce the Prophet. The third tier of the story is embodied by a modern day teen, Jordan, a young man banished from a renegade polygamist sect for the crime of attraction to a teenaged girl whom his community’s leader desired as an additional young wife for himself. Jordan returns to his community to investigate and defend the arrest of his mother, herself a 19th wife, for the alleged murder of her husband and his father, the current-day ‘prophet’ of this breakaway sect.
The practice of polygamy was banned by the Mormon Church in the late 1800’s and is illegal in the United States. Fringe religious communities skirt these laws by creating households with only one legal first wife. Plural marriages happen privately, when a ‘first wife’ accepts into the household ‘sister wives’ who are not recognized by outside law, but are accepted as plural wives within the community. In The 19th Wife, plural marriage is revealed as a practice which breeds jealousy, diminishes self-esteem and results in the neglect of women and the multitudes of children ravenous for the affection and attention of the sole male head of the imbalanced household.
The 19th Wife is rich with history, relying on documents from the archives of the Mormon Church and 19th century newspapers. In its depiction of the subjugation of women in this period of our nation’s history, we are reminded of how far we have come in our quest to have it all. We are pressed to examine the ways in which the dignity and aspirations of young women may be inhibited, directly and indirectly, intentionally or otherwise, by the happenstance of their community’s faith or socioeconomic status, and by the randomness of the geography of their birth.
Click here to purchase The 19th Wife.
It is hard to imagine not having a job or a career. I first starting working when I was 14 at an insurance agency to earn money to pay for the trendy clothes my parents wouldn’t get me. Then in high school, it was a job at Baskin Robbins to pay for gas for my car and the clothes my parents still wouldn’t get me. In college, a job at Nordstrom and a job waitressing at Red Robin earned all the extra money I needed for food and clothes and gas for the car and “going out” money. The next step in my employment history landed me into my career. Graduating from college with a degree in economics and psychology, I entered into the actuarial field with a job at CI
Along the way, I have had to make many decisions related to balancing my life and career. I worked full-time until I had my first child in 1994. At that time, I took advantage of family leave and stayed home with him until he was 5 months. It was the first time in my life I didn’t have a “job.”. Taking care of him was harder than any job I ever had and arguably more rewarding - but I didn’t get paid for it. I made the decision to go back to work part-time working at my husband’s established actuarial consulting firm. I continued working part-time through the birth of our second son. That time, I didn’t take a break from work at all because when you own your own business that luxury isn’t available. More recently, I have moved away from actuarial consulting at our firm to heading up our human resources department and managing benefits including health insurance and payroll. While my career and focus over the years has changed, I have continued to work part-time uninterrupted.
My decision to work is constantly fraught with guilt. Sometimes I think that I could be a better parent if I stayed home full-time. I could participate in all the volunteer requests that come my way from school. I could go on all the field trips. I wouldn’t be as tired or stressed out from work issues and might have more energy for my kids in the evening. On the other hand, sometimes I think I would be a better contributor at work if I worked full-time. I could give all my projects a hundred percent focus. I wouldn’t get to the office later than everyone and leave earlier to pick up kids from school. There is definitely a guilt component that comes from both sides that I wish I could avoid. Sometimes I think of it as the 60 percent rule. I am not always completely satisfied with myself because I seem to only be able to accomplish 100% of my life with a self-graded 60% success rate rather than accomplishing 60% of my life at a 100% success rate. Although I suppose that one could argue that neither of those scenarios defines success.
Ultimately, I just don’t think you can have 100% of it 100% of the time. But, I think you can have a balance that works for you. I truly believe that finding that personal balance is one of the most important individual decisions a woman can make for herself. And what works for one person won’t necessarily work for another. And just you need to be comfortable with the decision. At this time in my life, I know that I need to have a job/career. It makes me feel accomplished. But I can’t work full-time. I have found for me that my job needs to be part-time because I also get a lot of satisfaction out of participating in my children’s school and sports activities. I want to do both.
-Pacific Palisades, California